Bonnie Evans wildlife and animal art captures the life and intensity of primarily endangered species. Vibrant realism and extensive detail bring these beautiful works to life. After attending the Rhode Island School of Design, Bonnie Evans has spent 30 years painting with depth and passion for her subject, Animals.

Impressionistic paintings of lighthouses, flowers, old country barns and landscapes in watercolour, oil and acrylic as well as pen and ink drawings of historical architecture in the United States and Europe.

Denis Peterson is a first generation NYC New Realist painter who is currently a leading figure in the burgeoning Hyperrealism movement. “By making something beautiful and hyperreal in appearance, I think he attempts to remind us that people suffering terribly are living, breathing, thinking, and feeling individuals in need of our attention and help (Chris Ashley, Look See)." “To witness genocide is to feel not only the chill of your own mortality, but the degradation of all humanity. Even the most brilliant photography cannot capture the landscape of genocide...This room is empty, though it is full of people. It has been emptied thus, not by the misfortune of disease or disaster, but by the hatred of other people (Fergal Keane, BBC)." “Maybe we need people who can remind us what being human is all about, its best and its worst. Denis Peterson may not want to be one of those people. But then he may not have a choice (Chris Rywalt, NYC Art)." “What makes it all the more unnerving is that this horrific subject matter is treated with a sophisticated, hyperrealist airbrush technique…and so exquisitely crafted that I initially took them for photographs (Robert Ayers, Art Info)."

Abstract, expresionistic, and poetic paintings of the spanish artist Miguel Jimenez Zenón.

Ancient to modern art. Oil paintings of surrealism, pure abstract, pointilism, and contemporary through the use of symbolism, imagery, and metaphysical. The paintings got a wide range of subjects from different historical periods in art. Each has his own unique style. Starting with cave art up to the present. There is no drawing done on any of them. The brush is the drawing instrument put directly onto the canvas with no white paint used. The themes are reflecting the subject of religious beliefs through symbols and color.

Fine art Portrait and Figure paintings, in oils and soft pastels. He approach painting from a traditional point of view, in terms of subject, materials and technique.

The mixed media paintings of Michael Sandstrom question the way perceived reality - on the part of the individual - is affected by the social construct in which he or she lives. Social, political, and philosophical questions surface as the viewer explores the literal and figurative layers of meaning embedded in the labor intensive mixed-media paintings, sculptures, and installations that make up this artist\'s offerings. Many of the formal elements (color, gestural marks and \'scars\', ethereal passages that look like smoke or fog, etc...) point to an overworked earth that is very well on the brink of collapse; yet, in every piece their is a quiet but very present instance of hope that contradicts the overall-feeling that would make his work seem apocalyptic were it not for this subtle glimpse into the future.

He is a totally untrained artist, other then the fact that he has been making pictures since he was given crayons. When he decided on a whim to start painting, he thought “what kind of painter do I want to be”? He has to make rules for himself otherwise he tend to spread himself to thin, rules keep he focused in one area, for a while anyway. He then decided that oil painting on canvas was for him. It’s an historic art form yet modern and seems a little romantic too. So all in one afternoon he went and bought some paints and a canvas and got started. After painting several pictures he decided that he could use some formal training. He was frustrated because the image he would see in his head, he would then has trouble telling his hand how to reproduce it on the canvas. Some good teaching could show him how to tell his hand what to do to get that perfect image. As he looked at his paintings though, he liked them. Friends told him they liked them too. That simple untrained state makes them different almost “child like” for lack of a better term. He then decided that was going to be his style and he shouldn’t mess with it. Now with a little more exposure he has found that some people love them and others hate them, it’s their decision. Either way he has a day job and don’t has to stress about how good they are and will they pay his bills. It’s all for his fun and entertainment. If you and others like them too then that makes it even more fun and enjoyable for him.

Hear in your mind the crash of waves on some distant and surreal shore. Experience the blissful abandon of shadowy figures dancing joyously across the canvas. These are fantastical and dreamlike images emerging in N.H. Ring\'s surreal and visionary museum quality art prints.

He trys to combine new and old media to create images of decay. Using photographs of unborn baby\'s transforming their texture on his computer and use these images to construct his paintings.

Painting and art is his passion. He uses colored grout and oil to create portraits of people with a touch of tragedy. Moreover, Bagozzi makes relics which are telling a short story. Take a look and you will understand.

Pennsylvania artist Tom Bostelle, in his 70s, goes his own way, crafting a world of shadow paintings and sculptures without any concessions to the art world.